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venerdì 9 febbraio 2018

Anti-Semitism in Sansepolcro through some artwork. (Piero della Francesca ecc)


Anti-Semitism in Sansepolcro through some artwork

•  I wrote this book (it is a book also one written on a blog) because I was struck by how Piero Della Francesca has been treated in a metaphysical if to make him a vector of Catholic or religious spirituality in general that necessarily should as a boy carrying an alleged scientific proof of religion. 
Personal note that parallel between Kafka and Piero della Francesca 
Perhaps if it were not for the Koreans and media support to the fear that they do, with the threat of a nuclear war would not have made a parallel between the "Resurrection" by Piero della Francesca and "Metamorphosis" Kafka had not thought even after the sinking of the Kursk in the Baltic, and perhaps because a submarine sinking certainly does not rise.
The Kafkaesque metamorphosis is incredibly modern than Ovid's Metamorphoses, in fact Gregor Salsa turns into a beetle, an animal resistant to radiation, in Kafka a man denounces created by the system with a hope of shell coating is a very weak voice of conscience inner. In "Resurrection" by Piero della Francesca Christ who is not fluttering like so many Christs but one Christ among the soldiers themselves and near the right corner of the fresco seems to dream of this moment, the moment that that '
What a good looking pose Christ recall Narciso Of the "Metamorphoses" of Ovid will never be possible in the masses conformed so certainly also for the delight of the few enlightened expiring! For heaven's sake it is best not to awaken the conscience and continue circled between us. 
Going back to the stone to the right of the fresco by Piero it is the stone of the scholastic philosophers of the time Piero are inspired by Greek philosophy, this stone for the school is the stone of transformation the transformation of 'Man should not seek ways to assuming survive a nuclear war but rather a man of the established order that finds its only because in the battle against himself and in a crescendo of idiocy
Just throwing the conventions that gave us the ozone hole and wars can begin. 
So the composition should not be accessed through the "hitbodedu't of esoteric kabbalistic tradition" So when shall turn his face toward God, blessed he shall turn his face toward his and both get hooked 
With the lecture Dr. Piero della Francesca.
The pivot of the composition is made up by the figure of Christ, which divides into two parts the landscape, the right lush one on the left dying, these symbols evoke '' the Good and Bad Government "frescoes of Lorenzetti in Siena who so influenced the Tuscan painting. Piero sits dormant at the foot of the coffin, and the shaft of the flag with the cross of Guelph keeps him in direct contact with divinity, as if it would inspire the political Piero who had been elected in 1442 adviser of the people ( '' Hercules Agnoletti ' 'Sansepolcro''BVE0116112 of characters) and sat in the next room the fresco. Normal that he would take advantage of the image, perhaps meditating in those years to a political career. As a leading man in the community and with his father, who sat on the city council he had every right to a seat.THE council that in the short passage of Sansepolcro in the church territory was abolished, it was granted from Florence when Sansepolcro entered definitely in its territory met in the hall behind the fresco of the resurrection.
While the soldier's spear with the tip indicates the direction of '' Monte Smokestack '' the mountain where the river Tiber (I checked with a compass), the soldier leaning with elbows close to the stone in the right corner of the beholder painting seems to indicate the stone, expression of the philosophy of the medieval scholastics spoke of intentional inexistence so mental object and content of this direction.
Today, after Bertrand Russell you can not not be separated from his teachings which does not escape a character of the transition from the Middle Ages to the Renaissance it was Piero della Francesca. The figure of Christ seems to reflect the full force of reason in the possession of matter by Piero in the exaltation of the rise of Christ, Piero makes him a character from second place to his knowledge, can you believe or do not believe the stories inspiring but the reality is that the matter is that to quote the words of Russell about the relationship between mind and matter, "Let the mind, both matter seem to be composite" and that's how it is composed of the world.
Little is known of a shift of the fresco in 1479, maybe it was restored and new building work involving the Resurrection marginally. 
The building where "The Resurrection" currently houses the Municipal Museum and before as mentioned seat of the city council to Piero time in the transition between the 1400 is 1600 became a pawn shop was born from the need for a bank after who was denied permission to open Banco Della Vacca bank of Jews who had opened a Anghiari branch, an example of anti-Semitism is "the (false) pilgrimage to Loreto" John Leo, a painter in 1523 former painting rating for the company of the crucified (municipal art gallery in the museum, Sansepolcro


 the This panel painting, and 'a votive offering of "the cross company" to ask grace of false shame representing misrepresentation in "surgeon" (the doctor) to' oriental dress with red headdress mandatory in for Jews zone (ranged to as Rome was yellow and red Urbino) and strange resemblance to the drawing made by Leonardo in the occasion of 'hanging of Bernardo Bandini conspirator of the Pazzi conspiracy escaped from Florence and captured Constantinople, reported to Florence was immediately hanged with even the clothes Eastern in 1497
The cross of the company worked to assist the sick and the chances of outbreaks, in which case the large disease refers to a plague of the fourteenth century, while transporting them to the lazaretto located in Porta Romana, a place that evoked fear and i.nfausto discomfort in the patient who is carrying it in while telling the white lie that would lead to Loreto renowned resort famous for a Madonna performed miracles. 
and that was how the "Resurrection" found himself to bridge and continuous (after to break with the Middle Ages) with Mannerism where it is located "The Deposition" by Rosso Fiorentino alias Giovanbattista Florentine painter Jacopo.
The term is ubiquitous manner and with many meanings in the '500, starting by Giorgio Vasari who used it extensively to indicate the style, the practices, the artistic skill of an author: and in fact Vasari himself is one of the first commentators of his contemporary works, and analyzes the stylistic pattern, texture, composition and technique. The preparation required of a painter in '500 did not stop artistic ability, but also included the culture, a universal education, including religious, and standards of ethical and social behavior enabling him to relate to the institutions and to customers. This also resulted in the "style" of painting; and the Vasari, the highest expression of the "good way" of painting was Raphael and Michelangelo. If it had been one of the greatest genocides in history he would never wavered and he would talk about other historians before me, but unfortunately the church has its work cut out not to mention the use of his seeding for the purpose of political helping in fact dictatorships, few images they hear masses field made by German priests before the zealous executioners mettessero at work, supported by their flag result of mannerism and not an oriental graphic as you try to convince historians diligent subservient to church for social reasons peace (?), as the zealous missionaries are quick to stick on the cross Buddhists. The swastika has origins in mannerism and to be precise in the deposition of Rosso Fiorentino. the use of mannerism by politics is portrayed in the use of land worked by the church and then in continuous with it, the communication is thus simplified and the people's response is so immediate that determine popular support without which no dictatorship lot, so hold comfortable with a symbiosis between politics and churches enveloped in the same mystical dictated by the romanticism that links the state to the church celebrations within which the state found its fulfillment in tradition. And about the church, we return to the church of s. Lorenzo in Sansepolcro, Li was contacted by Raffaelino the hill who wanted a work by the great master Rosso accepted and was now sub-contracting of Sansepolcro deposition (1528). The Rosso and portrayed as saint John with the yellow robe of the color wheel the notorious Jewish hat that the popes forced Jews to wear so that always had to identify the jew that diversity identification,

even the Maddalene at the feet of Christ are portraits of the Red ambiguously mirror women's clothing that is repeated three times in as many self-portraits of the red details make out what they meant by diversity a Magdalen that the foot is it s John has a brooch behind used gimmick prostitutes of the time since the laws prevented him from bringing jewelry, while the Magdalene at the bottom right has the colorful laces on the sleeves denoting the time of the Red diversity and the oldest profession in the world of the prostitute. At the top the two characters with beard, one of the two is of Arimathea, speculating as philosophical term will be published about five years later, the Red want to speculate on the people of Arimathea notoriously character of peace '' to me ! ''framework in the tip of the spear is hidden behind the turban of Arimathea perhaps to remember through the tip of the spear as false are certain relics, similar to beliefs that accompany the church and prevent freedom of thought, then almost a complaint from red on the condition of intellectuals subject to theological and philosophical whims of the church he used his paranoia to confirm their power. The shield in the hands swollen warrior is not a shield of the Roman cavalry, reminiscent of the round and golden shield built by Mars and used by Achilles in the Trojan War almost continuous stupidity throughout the centuries and wonder why the church does not have condemned war as other practices considered pagan, but that does not mortify the flesh. similar to beliefs that accompany the church and prevent freedom of thought, then almost a complaint by the red on the condition of the subject to intellectual theological and philosophical whims of the church he used his paranoia to confirm their power. The shield in the hands swollen warrior is not a shield of the Roman cavalry, reminiscent of the round and golden shield built by Mars and used by Achilles in the Trojan War almost continuous stupidity throughout the centuries and wonder why the church does not have condemned war as other practices considered pagan, but that does not mortify the flesh. similar to beliefs that accompany the church and prevent freedom of thought, then almost a complaint by the red on the condition of the subject to intellectual theological and philosophical whims of the church he used his paranoia to confirm their power. The shield in the hands swollen warrior is not a shield of the Roman cavalry, reminiscent of the round and golden shield built by Mars and used by Achilles in the Trojan War almost continuous stupidity throughout the centuries and wonder why the church does not have condemned war as other practices considered pagan, but that does not mortify the flesh. therefore almost a complaint by the red on the condition of the subject to intellectual theological and philosophical whims of the church he used his paranoia to confirm their power. The shield in the hands swollen warrior is not a shield of the Roman cavalry, reminiscent of the round and golden shield built by Mars and used by Achilles in the Trojan War almost continuous stupidity throughout the centuries and wonder why the church does not have condemned war as other practices considered pagan, but that does not mortify the flesh. therefore almost a complaint by the red on the condition of the subject to intellectual theological and philosophical whims of the church he used his paranoia to confirm their power. The shield in the hands swollen warrior is not a shield of the Roman cavalry, reminiscent of the round and golden shield built by Mars and used by Achilles in the Trojan War almost continuous stupidity throughout the centuries and wonder why the church does not have condemned war as other practices considered pagan, but that does not mortify the flesh.



so even in the 'art he proposed the mannerisms as a barrier plateresco l' art that came from Spain Habsburg reign, looking for a thread of continuity with the Dutch who knew the Spanish yoke, In them they saw us the difference between belonging and identity they are conceptually different is the mannerism was an aspect of identity, so far away from the commitment to the institution and its rituals.Only to then be absorbed by that form of globalization known as baroque, as if to confirm the universality of art impossible not to be defiled, to its universal nature. The power of ideas will continue even still in the cosmopolitan mindset of red in France then you will be among the most beloved artists, the Jewish question was just a matter of religious struggle a contribution given to Christians for their living space, that of souls religious hatred was always present and do nothing to stop making the guilty pope as the Nazis. The cult of the Virgin Mary has always been very strong esoteric form rooted in the masses that finds its source of aesthetic satisfaction in the cult images and romantic-magical vision that Goethe had found in one of the most inspired amplifiers. The church order and coordinates the faith but also a need of falling in love and sometimes it's unrequited love leads to the sacrifice of those who deny the example speech that explains the impulses that led to schoa year.




Red, study for the deposition of Sansepolcro (Albertina, Vienna) 

Among the Mannerist there was Leonardo, the Last Supper Christ has his hands on the table with the back on a table and a palm tree with the top all from sense of balance to the image.
Louis Made in 1937, is unlikely to have thought about the possibility of creating a balance between the possibility that major movie studios in the hands of Jews could create proselytes probably loved sincerely mannerisms, and when he saw the glass in the cemetery of Los Angeles urged him the desire that other dividessero the feeling he felt seeing the Last Supper by Leonardo on glass with him that he respected the original measures Moretti laboratory had worked on cartoons of Leonardo and then had behaved as if they were the great teacher assistants,surely the fears of the possibility of proselytism or population growth of Jews in Europe lived in the old anti-Semitic rage always cultivated by the church and especially in Italy where the Jewish community had supported the struggles of the Risorgimento resentment had always been strong from the Vatican he saw the Jews as enemies, and who better than an Austrian Catholic could take charge of the church's fears and try to give him relief, really the Vatican did not feel tight, and did not think the row of the revolutions of 1848 to unite the various regions of Europe 'in 'idea of ​​Cattaneo, it is difficult to think that they do not think about it,and if they were interested in a virtual realm proof that the church was powerful came when the German bishops blocked the elimination of the mentally ill, he raised his imperious voice of the bishops, and the eliminations ended, what he did with the Jews, with Masons, and everyone else, salvation and only for those served by a local showdown and division and how the church always is content of souls, he was interested only this, leaving a guilty and complicit silence is a tacit consent to continuing the bandwagon of Nazi death, large spaces for evangelization.salvation and only for those served by a strong and territorial division of the test and how the church always is content of souls, he was interested only this, leaving a guilty and complicit silence tacit consent for the bandwagon of Nazi death ample spaces for evangelization.salvation and only for those served by a strong and territorial division of the test and how the church always is content of souls, he was interested only this, leaving a guilty and complicit silence tacit consent for the bandwagon of Nazi death ample spaces for evangelization.
 To understand the mentality of the Germans in World War II you can look at what happened in Tuscany. Much later in 1528. 
In 1796 the French army began a military campaign to conquer Italy, 
in 1799 the French army had occupied all the Italian states, excluding the Grand Duchy of Tuscany, which had declared its neutrality and even had tried to buy themselves immunity paying. 14 June 1800 after payment of the French invaded the Grand Duchy of Tuscany. 
In those years it seems there was already discontent with the reforms of Grand Duke eyes of the church seemed too liberal and with the advent of the French that liberal ideas were made champions organization put up is unleashed against them.
Hunted French a force of Franco-Polish from Perugia commanded by the Polish general Jan Henryk Dabrowski was about to reach Arezzo. 
The May 14, 1799 raged the battle of Riguttino (a fraction of Arezzo), which ended with a crushing defeat of the French and the Poles who were forced to repair to the still occupied territories avoiding Arezzo
The exalted win the hearts and continued until Monte San Savino where Jews were mistreated and exiled, in Siena, in the course of the assault led to oust the French, the crowds of Siena and Arezzo Viva Maria Giuseppe Romanelli led by a priest from Quarrata sacked the ghetto the first to fall was Abraham choen on the steps of the church of St. Martin fell stabbed Michael Valech and his wife even if he was pregnant was killed the bodies of the martyrs were thrown to the flames and not happy were thrown alive three Jews in the stake in Piazza del Campo, along with a French soldier wounded and the 'tree of liberty. They counted 13 dead when the massacre was over was carried in procession in the image of Our Lady of Consolation Piazza del Campo.
On July 4, the French left Florence from here would come back after the Battle of Marengo won by Napoleon June 14, 1800. On October 19, Arezzo suffered a harsh retaliation. It was sacked for 4 days; the French army surrendered to all sorts of excess and about 40 people were killed. As a result there was also a serious economic crisis. (Roberto G. Salvadori "Italian Jews in the storm Jacobin" and. Giuntina ISBN 88-8057-089-7) 
And 'clear how these historical experiences to Arezzo and the Reich helped the cult of Mary and the Black Madonna ( it is interesting to report this video of "Resident" that if you look to the end and not '

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Carlo Marino Buttazzo. 39/3318600143

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