Die Resurezzione; von Piero della Francesca in Sansepolcro im Museum (vor und nach der Wiederherstellung)

Die Resurezzione; von Piero della Francesca in Sansepolcro im Museum (vor und nach der Wiederherstellung)

(225 x 200 cm)

Der Drehpunkt der Zusammensetzung wird durch die Gestalt Christi, die die Landschaft teilt sich in zwei Teile aus, die rechte üppig auf der linken Seite im Sterben, evozieren diese Symbole Piero befindet sich am Fuße des Sarges und der Versteigerung der Flagge mit dem Kreuz von Guelph hält ihn in direkten Kontakt mit der Gottheit ruhend, als ob es würde die politische Piero inspirieren, die im Jahr 1442 Berater des Volkes gewählt worden war ( Normal, dass er den Vorteil des Bildes nehmen würde, vielleicht in jenen Jahren eine politische Karriere zu meditieren. Als führenden Mann in der Gemeinde und mit seinem Vater, der im Stadtrat saß er jedes Recht auf einen Sitz hatte. Der Rat, der in der kurzen Passage von Sansepolcro in der Kirche Gebiet abgeschafft wurde, wurde es von Florenz gewährt, wenn er Sansepolcro stimmt Zeit trat in seinem Gebiet in der Halle hinter all'afresco Auferstehung erfüllt.
Während die Lanze des Soldaten mit der Spitze zeigt die Richtung des , wo der Fluss Tiber (I mit einem Kompass markiert), dem Soldaten mit Ellenbogen nahe den Stein in der rechten Ecke des Betrachters gelehnt Malerei scheint den Stein, Ausdruck der mittelalterlichen Scholastik , um anzuzeigen , dass der bewusste Abwesenheit so mental gesprochen Mentre la lancia del soldato  indica con la punta la direzione del ''Monte Fumaiolo''  la montagna dove nasce il fiume Tevere (ho controllato con una bussola),  il soldato appoggiato con il gomito vicino alla pietra nell'angolo destro da chi guarda il dipinto sembra indicare la pietra, espressione della filosofia degli scolastici medioevali che parlavano della inesistenza intenzionale quindi mentale dell" ’Thema und Inhalt dieser Richtung. oggetto e nel contenuto della direzione verso questo.
Heute, nach Bertrand Russell kann man nicht nicht von seinen Lehren getrennt werden , die keinen Charakter des Übergangs vom Mittelalter bis zur Renaissance entweicht es Piero della Francesca war. Oggi dopo Bertrand Russell non si può non prescindere dai suoi insegnamenti ai quali non sfugge un personaggio della transizione dal medioevo al rinascimento che era Piero della Francesca. La figura del Cristo sembra riflettere tutta la forza della ragione nel possesso della materia da parte di Piero nell'esaltazione dell’ascesa del Cristo, Piero lo fa diventare un personaggio di secondo piano rispetto alla sua scienza, si può credere o non credere alla vicende ispiratrice ma la realtà è che la materia è che per dirla con parole di Russell riguardo al rapporto tra mente e materia : “ Sia la mente , sia la materia sembrano essere composite” ed è cosi che è composto il mondo.
Poco si sa di uno spostamento dell'affresco nel 1479, forse si trattava di restauri e nuove opere murarie che hanno coinvolto la Resurrezione in maniera marginale

 Sono rimasto colpito da come Piero sia stato trattato in maniera cosi' metafisica quasi a far di lui un vettore di spiritualità​ cattolica o religiosa in genere che per forza dovesse come un garzone trasportare una presunta prova scientifica​ della religione.

Buttazzo Carlo Marino

 

Nota personale ovvero parallelo tra Kafka e Piero della Francesca
Forse se non fosse per i coreani e il supporto mediatico alla paura che essi fanno , con la minaccia di una guerra nucleare non avrei fatto  un parallelo tra la “Resurrezione” di Piero della Francesca e la “ Metamorfosi” di Kafka non ci avevo pensato neanche dopo l'affondamento del Kursk nel Baltico, e forse perché un sottomarino che affonda non si eleva di certo.

                                            (Dimensioni cm 225×200 )
A Sansepolcro puoi vedere anche: la Deposizione del Rosso fiorentino nella chiesa di S. Lorenzo

e nella pinacoteca comunale "L'ultima cena" dei fratelli Antonio e Remigio Cantagallina
http://buttazzocarlomarino.blogspot.it/2016/02/ex-voto-dipinto-da-giovanni-del-leone.html ex-voto-dipinto-da-giovanni-del-leone.html

Resurrection by Piero della Francesca in Sansepolcro in the museum (before and after restoration)

The Resurrection; by Piero della Francesca in Sansepolcro in the museum (before and after restoration)

(225 × 200 cm)

 
The pivot of the composition is made up by the figure of Christ, which divides into two parts the landscape, the right lush one on the left dying, these symbols evoke '' the good and bad government '' fresco by Lorenzetti in Siena who so influenced the Tuscan painting . Piero sits dormant at the foot of the coffin and the auction of the flag with the cross of Guelph keeps him in direct contact with divinity, as if it would inspire the political Piero who had been elected in 1442 adviser of the people ( '' Hercules Agnoletti ' 'Sansepolcro''BVE0116112 of characters) and sat in the next room all'afresco. Normal that he would take advantage of the image, perhaps meditating in those years to a political career. As a leading man in the community and with his father, who sat on the city council he had every right to a seat. THE council that in the short passage of Sansepolcro in the church territory was abolished, it was granted from Florence when he entered Sansepolcro nitely in its territory met in the hall behind all'afresco resurrection.
While the soldier's spear with the tip indicates the direction of '' Monte Smokestack '' the mountain where the river Tiber (I checked with a compass), the soldier leaning with elbows close to the stone in the right corner of the beholder painting seems to indicate the stone, expression of the medieval scholastic philosophy that spoke of the deliberate absence of so mental ' subject and content of this direction.
Today, after Bertrand Russell you can not not be separated from his teachings which does not escape a character of the transition from the Middle Ages to the Renaissance it was Piero della Francesca. The figure of Christ seems to reflect the full force of reason in the possession of matter by Piero in the exaltation of the ' rise of the Christ, Piero makes him a character from second place to his knowledge, can you believe or do not believe the stories inspiring but the reality is that the matter is that to quote the words of Russell about the relationship between mind and matter: " Let the mind, both matter seem to be composite " and that's how the world is made.
Little is known of a shift of the fresco in 1479, maybe it was restored and new building work involving the Resurrection in a marginal way

 I was impressed by how Piero has been treated in a manner so 'metaphysical almost make him a carrier spirituality Catholic or religious in general that necessarily would like a boy carrying an alleged scientific proof of religion.

Buttazzo Carlo Marino

 

 Perhaps if it were not for the Koreans and media support to the fear that they do, with the threat of a nuclear war I would not have made a parallel between the "Resurrection" by Piero della Francesca and the "Metamorphosis of Kafka" I had not thought even after the sinking of the Kursk in the Baltic, and perhaps because a submarine sinking certainly does not rise.
The Kafkaesque metamorphosis is incredibly modern than Ovid's Metamorphoses, in fact Gregor Salsa turns into a beetle, an animal resistant to radiation, in Kafka a man denounces created by the system with a hope of shell coating is a very weak voice of conscience inner. In "Resurrection" by Piero della Francesca Christ who is not fluttering like so many Christs, but Christ who hung out between the soldiers and near the right corner of the fresco seems to dream of this moment, the moment that man no longer has You need to be a soldier and becomes the man who later assumed by Nice, powerful with a strong will came to have solved all the problems of smallness and meanness of religion and convenience of idleness of politicians to ensure that conformity since created here continue to serve their cause.
What a good looking pose Christ recall of Narcissus "Metamorphoses" of Ovid will never be possible in the masses conformed so certainly also for the delight of the few enlightened expiring! For heaven's sake it is best not to awaken the conscience and continue to girarcela between us.
Going back to the stone to the right of the fresco by Piero it is the stone of the scholastic philosophers of the time Piero who were inspired by Greek philosophy, this stone for the school is the stone of the transformation of the 'transformation that man should not seek ways to assuming survive a nuclear war a man who made the order that finds its only because in the battle against himself and in a crescendo of idiocy
only throwing the conventions that gave us the ozone hole and you can start wars
Thanks the masterful lezzio Dr. Piero della Francesca

                                            (Dimensions 225 × 200 cm)
In Sansepolcro you can also see:  Deposition of Rosso Fiorentino  in the church of San Lorenzo

and the municipal art gallery  "The Last Supper" of the brothers Antonio and Remigio Cantagallina
http://buttazzocarlomarino.blogspot.it/2016/02/ex-voto-dipinto-da-giovanni-del-leone.html  votive-painting -by-john-the-leone.html

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